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Item No: 380080
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Print Info
Original exhibition poster designed by the artist for the Lincoln Center Poster Program in 1990 titled “Mary, Mary”. Limited edition offset lithograph, unsigned and not numbered, with full margins. Mint condition. About the Lincoln Center- The Lincoln Center/List Poster and Print Program was established in 1962, making contemporary art of the highest quality available to the public. Fine print editions—along with handmade, collectible posters—are created by leading artists to commemorate Lincoln Center events and series. |
Frankenthaler, Helen (1928- )
A member of the generation of painters who succeeded the Abstract Expressionists, Helen Frankenthaler is considered a major innovator in the technique of Colour-Field painting. Born in New York City, Frankenthaler's early art teachers included the Mexican painter, Rufino Tamayo, at the Dalton School and Paul Feeley at Bennington College.
In 1950, she met the art critic Clement Greenberg, who introduced her to Jackson Pollock and Willem de Kooning. The experience of seeing Pollock at work in his studio stimulated a new concern with line. A major breakthrough in her work occurred in 1952 when she came up with a mixture of house paint, enamel, turpentine and oil, and spilled this from coffee cans on to unsized canvas. Mountains and the Sea, her first soaked" canvas, had a great impact on American painters, particularly her contemporaries Kenneth Noland and Morris Louis, who adapted the technique to their own work.
Frankenthaler has been considered a transitional artist between Abstract Expressionism and Colour-Field painting. She was certainly the first American painter after Pollock to see the implications of colour - staining raw canvas to create a surface in which foreground and background cease to exist." |
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