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Beginnings, 1994 by Helen Frankenthaler

Beginnings, 1994

Item No: 380128

Image size:
44x36ins
112x91cm
1.75m
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Limited edition art print. One of only 500 produced.

£139.99 Add to basket
Keywords: Exhibition, Gallery, Museum,

Print Info

Beginnings, printed on Somerset Textured Rag paper and published by the Lincoln Center for the Performing Arts in New York City in 1994 to celebrate their 25th Anniversary. Limited to 500 copies with an additional signed and numbered edition of 108. It was printed at Brand X in New York City.
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Frankenthaler, Helen (1928- )
A member of the generation of painters who succeeded the Abstract Expressionists, Helen Frankenthaler is considered a major innovator in the technique of Colour-Field painting. Born in New York City, Frankenthaler's early art teachers included the Mexican painter, Rufino Tamayo, at the Dalton School and Paul Feeley at Bennington College.
In 1950, she met the art critic Clement Greenberg, who introduced her to Jackson Pollock and Willem de Kooning. The experience of seeing Pollock at work in his studio stimulated a new concern with line. A major breakthrough in her work occurred in 1952 when she came up with a mixture of house paint, enamel, turpentine and oil, and spilled this from coffee cans on to unsized canvas. Mountains and the Sea, her first soaked" canvas, had a great impact on American painters, particularly her contemporaries Kenneth Noland and Morris Louis, who adapted the technique to their own work.
Frankenthaler has been considered a transitional artist between Abstract Expressionism and Colour-Field painting. She was certainly the first American painter after Pollock to see the implications of colour - staining raw canvas to create a surface in which foreground and background cease to exist."



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