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Item No: 180944
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| Keywords: Happy, Modern, New, Paint, Splatter, Sunny, Urban, American, Museum, Abstract, Expressionism, Expressionist, Serigraph, Modern, American, |
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Print Info
The silkscreen process is ideally suited to creating bold, bright images. A separate screen is used for each colour layer and many screens can be used to create a single image. All our silkscreens prints are hand-pulled by highly skilled printers. From the proofing of each colour to the choice of the paper, every decision is made with the artist's intentions in mind, resulting in an extremely high quality finish. |
Frankenthaler, Helen (1928- )
A member of the generation of painters who succeeded the Abstract Expressionists, Helen Frankenthaler is considered a major innovator in the technique of Colour-Field painting. Born in New York City, Frankenthaler's early art teachers included the Mexican painter, Rufino Tamayo, at the Dalton School and Paul Feeley at Bennington College.
In 1950, she met the art critic Clement Greenberg, who introduced her to Jackson Pollock and Willem de Kooning. The experience of seeing Pollock at work in his studio stimulated a new concern with line. A major breakthrough in her work occurred in 1952 when she came up with a mixture of house paint, enamel, turpentine and oil, and spilled this from coffee cans on to unsized canvas. Mountains and the Sea, her first soaked" canvas, had a great impact on American painters, particularly her contemporaries Kenneth Noland and Morris Louis, who adapted the technique to their own work.
Frankenthaler has been considered a transitional artist between Abstract Expressionism and Colour-Field painting. She was certainly the first American painter after Pollock to see the implications of colour - staining raw canvas to create a surface in which foreground and background cease to exist." |
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