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Cornfield (Restrike Etching) by John Constable

Cornfield (Restrike Etching) art print by John Constable

Item No: 35169

Image size:
26x21ins
66x53cm
1.75m
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Keywords: Cornfield Restrike Etching, Architectural, Boy, Dog, Field, Goat, Grass, Path, Period, Plant, Stream, Tree,

Print Info

These special hand-printed etchings are created from the original Victorian etching plates. They are then hand-coloured by skilled artists to create an extremely high quality collector's item. The prints carry the original engravers wording underneath. Although we can't show this on the site the prints will be framed to show this wording and the surrounding plate mark, which provides a natural border. The dimensions given are to the plate mark, not of the image alone.
John Constable art print
The Cornfield (Restrike Etching)
John Constable
5x4ins / 12.60x10.10cm
£18.99
$37.03 | €27.92
John Constable art print
Cornfield (Restrike Etching)
John Constable
16x13ins / 41.00x33.00cm
£94.99
$185.23 | €139.64
Frederick Albert Slocombe art print
Pinner Hill (Restrike Etching)
Frederick Albert Slocombe
15x10ins / 38.00x25.30cm
£79.99
$155.98 | €117.59
John Burden art print
Hewels Field (Restrike Etching)
John Burden
11x15ins / 27.90x38.00cm
£59.99
$116.98 | €88.19
John Constable art print
The Cornfield (Restrike Etching)
John Constable
10x8ins / 25.30x20.30cm
£37.50
$73.13 | €55.13
John Constable art print
Salisbury Cathedral (Rainbow) (Restrike Etching)
John Constable
24x28ins / 60.90x71.10cm
£189.99
$370.48 | €279.29
 
Constable, John (1776-1837)
John Constable was the son of a miller in Suffolk, England. As a child, he was shown the work of Claude Lorrain and began painting in water-colour and sketching by himself until he was twenty-four, when he entered the Royal Academy School in London.
Constable painted typical scenes of the southern English countryside, working in water-colour and directly from nature - enlarging his sketches in oil, once indoors. These landscapes differ from those of his predecessors due to Constable's concern with light, air, and sky, rather than with exact landscape details.
His first exhibition in 1802 passed unnoticed as demand in England was for portrait painting. As a result, Constable started painting portraits, for which he cared little, to earn his meagre living, while continuing to paint the landscapes in which his true interest lay. When he was forty-eight, he sent several landscapes to the Paris Salon. The French were impressed by his work and awarded him the Gold Medal (1824) for The Hay Wain. Five years later Constable was finally elected to full membership in the Royal Academy. He considered this honour as having come too late. His spent his last years a lonely and embittered man.



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